Images with reengineered photography tools for removing noise, adding grain, and creating high dynamic Photoshop CS5 & Photoshop CS5 Extended - Best Deals From AdobeĪdobe Photoshop CS5 delivers breakthrough capabilities to help you create images with impact. Posted by Jennifer Apple | | RSS feed | bookmark | comment To learn more visit the Fluid Mask 3 - Discount Deal Page.
Fluid Mask will also work in standalone mode (i.e.In the final result, natural edge blur and contour is preserved for the best, most authentic cut-outs ever. Fluid Mask 3 takes blending to a new level by preserving the edge data. Check out the edge guides that makes selecting the cut-out as easy as coloring by numbers and the always visible interactive help. Quick and easy to pick up, Fluid Mask 3 offers an intuitive workflow.Turn hours of tedious work into something that's short to complete and fun to do. Fastest masking available today - from loading to final cut-out.In a streamlined interface and workflow, Fluid Mask 3 instantly shows key edges in the image and provides comprehensive easy to use tools that work with difficult-to-see edges and tricky areas like trees & lattices. Just follow this discount link and instantly get $15 off your purchase of Fluid Mask 3.įluid Mask 3 is designed for photographers, image editors, graphic designers and all those who take digital image editing seriously. Our friends at Vertus, the makers of Fluid Mask 3 Photoshop Plugin, have set up a special exclusive discount for. Online video tutorials and live training sessions help ease the learning curve." It offers a variety of useful features for tackling almost any difficult image, from wispy hair to complex foliage. The 4 1/2 out of 5 star review of Fluid Mask 3 at MacWorld begins by saying that this "Photoshop plug-in takes the pain out of extracting backgrounds," and goes on to recommend the latest version, stating that " Fluid Mask 3.0.2 is a very effective tool for separating objects from their backgrounds. Photoshop Masking Plugin Fluid Mask 3 - $15 Discount Special
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The Photoshop Blog offers the latest Photoshop news and software updates, Photoshop tips and tutorials, and random thoughts from graphic artist and Photoshop expert Jennifer Apple. Get super savings at the Adobe Academic Store. Mind that the correct blending option is also important for the best results if blend in a new background.Buy. If necessary I use a mix of tools and techniques to get the most out of it.įor fast simpel extraction both Affinity and Remask 5 are superb and will save you time. This determins wich technique is best for extraction, not the tool. It fastly depends on the subjects and how complex the subject is. If you don't want to put in that time then the plug-ins are definitely the way to go (IMHO). If you put in the time to get proficient with photoshops tools you'll end up with a better result. I think peoples' opinion of these plug-ins very so much because people skills with photoshop's built-in tools varies widely. If you are willing to live with the results the plug-ins give you then you will save time.
But once I do that the overall time is about the same as just doing it all myself in photoshop. Part of my issue is that I know that a better mask is possible than what either plug-in gives me in the end so I retouch their results. In the end I thought the pen tool, channel masking, computations, and select and mask did a better job and didn't really take much more time. I watched the tutorials and try out various strategies and techniques. I recently gave both fluid Fluid Mask and topaz remark a fairly thorough shake down. I can also recommend the Workflow Aids set of macros by James Ritson (the guy doing the Affinity tutorials). Yes, I don't do compositing as my usual routine, but I like to practise extractions mainly for masking purposes - I think that Affinity Photo's built-in tools like Refine Edges, Channels and the Apply Image filter do a good job in this respect.
It tries to imitate the way of Photoshop Refine Edges and not ReMask tools.
No problem, I was just wondering that maybe there's a way to make it work.Īffinity Photo Refine Edges is doing a great job, the only "sin" is that Sorry for not being clear and not use the proper words. Or use Remask from PSE/PS, save the PSD and import into Affinity.īetter not use ReMask Color Recovery, but the one from Affinity. Is there a trick to get it working with Affinity? I can't invoke the Topaz ReMask plug-in from within Affinity Photo - it works well when invoked from PSE or as a stand-alone app, but not with AP (it crashes the program).
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